Office Furniture, Aesthetics, Ergonomics and Worker Well-Being

Office furniture consists of a variety of purpose- or utility-based pieces of furniture. They are furniture store melbourne designed according to how, where and for what purpose they are intended to be used. Basically wood-based pieces dominated the home and office furniture market in the early 1900s. Material and design concepts changed slowly until the Great Depression of the 1930s when commercial furniture makers had to look elsewhere for less expensive raw materials because of the shrinking market. Along with the shift from wood, design had to blend aesthetics and engineering with modernistic architectural concepts. This paved the way to the introduction of modular, space-saving and utilitarian yet aesthetically and ergonomically designed furniture.

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Introduction of better-looking and more stress-free furniture modules and individual stand-alone units changed the face of the home and office furniture industry. Some of these revolutionary masterpieces were created by the most innovative and intuitive architects and furniture designers of our time, with a few notable examples listed below:

· The Noguchi Table, created by artist-industrial designer Isamu Noguchi, offered unparalleled significance in terms of practical aesthetic design with the use of two identically-shaped wooden parts joined at a pivot point by reversing the position of one of the pieces to form a stable base topped with a heavy biomorphic glass table plate.

· The Eames Lounge Chair and Ottoman which was released in 1956 for the high-end market took years for designers Charles and Ray Eames to develop. It was made basically of moulded plywood and leather-upholstered cushion. It became part of the permanent collection of New York’s Museum of Modern Art.

· The Action Office, designed by Robert Propst, is the forerunner of the modern flexible, modular and semi-enclosed workspace. It largely influenced later office cubicle system concepts.

· The Aeron Chair, an ergonomic chair with optional customisations, was designed in 1994 by Don Chadwick and Bill Stumpf using a stretched sturdy, flexible and semi-transparent mesh for its seat and back instead of the traditional upholstered cushion offering more comfort freedom of movement.

Since the office or workplace is where the average modern man spends most of his waking hours, it is just right and proper for companies to invest in the most comfortable pieces of furniture and equipment as part of its human resource development and management costs. These little enhancements lead to physical and psychological well-being to company officers and staff. Comfortable and satisfied workers are more productive and therefore significantly contribute to the attainment of corporate goals and objectives.

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